… A somewhat long-winded introduction to my love of Avantasia and the once-in-a-lifetime concert experience of the first leg of my NYC 2016 #writinginspirationvacation…
When I found out that Avantasia was going to be in New York City the weekend that I would potentially be in New York, I could barely contain my excitement. It is also the one thing that made me seriously consider making the trip if I didn’t get the writing residency I had applied for. I have been following the band for about 8 years, and knowing that they originate in Germany and have very little following in America, I assumed (and resigned myself to the fact) that I would NEVER see them live. When you make a list of bucket list bands, there are just some that will always remain on that bucket list.
Eight years ago I stumbled across the video “Dying for an Angel” by a group I had never heard of featuring the lead singer of The Scorpions. I love The Scorpions and moreso the uniqueness of Klaus Meine’s voice, so I figured I couldn’t go wrong.
The video blew my mind. It had a solid rock vibe, a good beat, harmony – I couldn’t help but tap my foot and try to sing along. Avantasia became my new obsession. After listening to a few more videos, I realized that this band, founded by Tobias Sammet in 1999 encompassed essentially everything I loved about music from the epic soundtrack type orchestrations to 80’s hard rock. They had ballads, rock epics, radio tunes. I couldn’t find a song I didn’t like.
I am pretty sure I have subconsciously decided they have to be played enough to make up for the time lost the first 21 years of my life not knowing them, to have them so engrained that they were to me another Beatles or Eagles. My husband can attest to that amount of obsessive listening.
Avantasia is a project band, meaning the majority of the songs are collaborations with other artists. Even Tobias Sammet has his own band Edguy (who I also love), so when Avantasia comes together for a new album, it is quite a feat, and you can guarantee it is going to be epic. Tobias Sammet is a musical genius. He writes all of the music for Avantasia (by the way, the Avantasia playlist on my phone is nearing the 8 hour mark). He sings, orchestrates, organizes – he is by far the mastermind of this incredible project. Songs have included guest artists Klaus Meine, Dee Snider, Alice Cooper, members of Warrant, KISS, Twisted Sister, Queensryque, Within Temptation, Nightwish, and many many others. From early on, Helloween front runner Michael Kiske has been a regular as well as Ronnie Atkins and Jorn Lande.
Just the list of guest artists is impressive. Then you start listening to the music. I still find myself closing my eyes when certain songs start to play and sinking myself into the melodies. The music pulls me in, sparks my imagination, warms my soul.
When I started expanding Better to Pretend from a short story to a full length novel, the addition of music to the story surprised me. I didn’t realize until I started working on that piece how much of myself could translate into a character. Jenna is not me, by any means, but parts of my own life and personality definitely shine through her character. When the idea of creating this connection of music I between her and the male lead transpired, I pictured her similar to me – classic rock roots and a stubborn aversion to new and modern bands and genres. I decided she would have a band obsession, straight down to the giddiness of being close to the stage and making eye contact with the lead singer. I created a band called Love and Lace, and they became my creative interpretation of Avantasia and Edguy mixed with my favorite 80’s hair metal.
At first, I thought it was a fun, minor detail of the story that I would enjoy because I knew the secret. Then Jenna’s love of music became her solace, the thing she could turn to when the world came crashing down. Certain songs could keep her afloat in a sea of desolation, disappointment and misery. My connection to the music of Avantasia seeped from my soul onto the page and into my characters.
I believe things happen for a reason (see Inspiration: Fate) and it was undeniably a crazy, fateful, serendipitous string of events that led me to New York City last Thursday, not only on my first solo travel endeavor, but my first solo concert and first trip (hopefully of many) geared towards research and working on my novels so long postponed by irrelevant excuses.
After a whirlwind 36-ish hours in NYC, I hopped a train down to Marlyand to visit a dear friend of mine for a couple of days. As I settled in for the 3 hour train ride, I put my headphones in and shuffled my Avantasia playlist, the previous night’s concert still so fresh in my mind that I could have been there all over again. Now, two days later, I still feel the buzz of the experience (and I’m still listening to the playlist on repeat). But after two days of good company, good food and good booze, I have spent a good deal of time reflecting on the experience adjusting my mindset into creative mode for the remainder of the trip. Now, as I sit on the return train to NYC, I can’t wait to share in more detail the concert experience. Look for it in the next post (since this one is already over 900 words….).