Photography

POV Writing Challenge: Week 1, Sample 3

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Hot on the heals of NaNoWriMo and determined to keep the energy flowing, a group of writers and I have decided to take up a 4-week writing challenge. After a month of spewing words out as fast as possible, we are taking a step back and focusing on craft, specifically looking at point of view through flash fiction. If you are interested in how the challenge works and want to follow along, check out the details here.


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© Katie Rene Johnson, 2016

Wind lashed against Brant’s cheeks jetting pellets of river water into his skin with needle pricks. He hated the wind, especially in the city, though the way it thrashed the Brooklyn bridge edged its way up for a close second. Brant looped his thumb through the keyring in his pocket, flipping the two small keys around each other. Top to bottom. Bottom to top. A chill spidered down his neck. Nerves or wind – he couldn’t tell the difference.

A shoulder bucked into him from the left, and Brant’s toe caught on an uneven plank as he stumbled. His eyelid twitched. Safety hazard. Priority seven. His free hand flicked to the railing and he steadied himself. The wind choked out his calming breath and he exhaled in a sputtering cough. The planks might as well have been wet concrete. Each step sucked him down, heavier and heavier. Impossible to move. He inched his hand further up the rail, dragging his feet forward. The rail held his weight without a tremor. Satisfactory. The keys in his pocket tumbled over one another. Bottom to top. Top to bottom.

The wind kicked an empty water bottle along the walkway barrier. It skittered to a stop against an overflowing garbage bin. Health violation. Priority three. Brant tipped the water bottle into the less full recycle tub and skirted around them both. A paper bag made its escape on a gust of wind and Brant clenched his teeth. Not my problem. Not my responsibility. Not anymore. Almost there.

Tucked against the brick of the support tower, the wind seemed less belligerent, and Brant rolled the tension out of his shoulders. A dozen paces away, chains of padlocks encased the bridge support cables. The keys in his pocket bit into palm of his hand. The lock pushed against his leg, suddenly heavy and unwieldy. Pulling his feet out of the concrete, Brant stepped forward.

Up close, Brant could read the names drawn onto the locks with paint or marker: Danny, Joe, Sharon, Casey. Ribbons tied to various shackles clipped back and forth in the wind, edges frayed and disintegrating. He couldn’t count how many locks there were. Dozens? Hundreds? Enough that the weight had built up for sure. Safety hazard. Level four. Priority five. Brant traced his fingers up and down the cables, reaching, testing. The higher the stack, the more solid the the stands of locks. They gripped one another, locked together by downward force. One cable, two.

The third was shorter, newer. Colors hadn’t faded yet in the sunlight. The ribbons less frayed. Brant could almost reach the top of the stack. He pushed up on the one of the locks and it gave, opening a small gap on the cable. He let it fall back into place, taking a step back. The wind raced against his ears, blurring out the traffic below, the hum of passersby. His own breathing cut in and out, catching on the rise and fall of the wind. Reaching into the heavy pocket, Brant pulled out the lock. Candy apple red. Gold shackle. One name.

One of the keys slid easily into the lock, and he heard it click, even over the drone of the wind. The body rotated to the side as the shackle pulled free. Brant pulled the key from the mechanism, and reached back up the stack, pushing the same forgiving lock out of the way. The gold shackle looped around the cable, and Brant twisted the body back into place. The lock snapped shut and he exhaled sharply. The sounds of the city wedged their way into the place over the breath he had been holding, and he took a step back from the rail.

Brant glanced over his shoulder, first right, then left. No one seemed to have noticed what he had done. Easing the keyring from his finger, Brant let the keys rest on his palm, holding his hand up to eye level. He closed his eyes, drew in another breath.

His fingers wrenched shut and he pulled his arm back. Swing, release. The keys flipped through the air and over the edge of the bridge.

Inspection passed.

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Monday Inspiration

What is on my inspiration list today?

1. Adele: Set Fire to the Rain

I was driving around yesterday and heard this song for the first time. It immediately had me thinking of moments when a character would fit into this song. Those thoughts landed on a character I thought of recently who is obsessed with EKG’s and the idea of each heart having it’s own path and signature. I am excited to flesh this character out in further detail. And also do some research on EKG’s and polygraphs: two very different ways of recording transmissions from the body.

2. Photography

© Katie Rene Johnson 2014

© Katie Rene Johnson 2014

© Katie Rene Johnson 2014

There is something fascinating about old places. This building replaced the original cabin used a school house in 1901 and had a whole 45 students at its peak. Now it serves as a small community center sits empty most of the time. I have driven by this building a hundred times and finally stopped to take some photos.

3. Abandoned Places

I came across this image of a car graveyard near Chatillon, Belgium in a random Facebook post. My first thought was, I have to go there. So, I started looking up more about it, and it turns out the cars were removed in 2010. Initially, I was completely bummed, because holy cow was this place cool and I would never have the chance to visit it personally. Regardless, I was completely fascinated that such a place would have even existed in the first place. These cars spent 70 years in the forest, leaving an incredibly post-apocalyptic type scene for photographers to capture. You would think it was something out of a movie.

Inspiration: Photography

© Katie Rene Johnson 2014

Photographs can be powerful tools for inspiration. For many years, I carried a camera around with me whenever I went somewhere new or even well known so that I could take pictures to go along with my writing. Initially, it was on hiking or camping trips to find hidden locations that would fit into the setting of Kingdom Burning. They were never great pictures, not even something to hang on the wall, but they gave me tactile imagery to help build the fantasy world around my characters. Montana is a great place for mystical forests.

Nearing high school graduation, I decided to go to college for photography rather than English. The decision still baffles me a little bit, as at that point photography was a fairly new passion where I had been writing since I was a kid. I think the decision came from teenage close-mindedness and the absolute loathing at the time of literary and poetry analysis, which when going over course options was a large part of an English degree. And, I didn’t want to be a teacher, which was the most prominent thing to do with an English degree at the time. Point being, I went to college for photography – just a two year degree, but that was enough to help hone my skills. I have dabbled in portrait photography ever since, until last year when I started my own business. I also photograph coins for a living, a job I never would have looked into had it not been for my degree.

I shoot with a DSLR, which is a big clunky thing that is hard to carry around all the time for the chance of finding something interesting to photograph. But I ALWAYS have my phone on me. It has a decent camera and over the last few years I have collected over a thousand pictures, probably a third of which are of my cats. The rest, however, are of the things I see during the day as I walk around downtown, the things I find when I go on a road trip, the experiences that I am obsessed with documenting. When I photograph people, I am in control of the situation. I tell them where to stand, how to pose, where to look, whether or not to smile. It is a calculated process, aimed at giving a client the perfect image to remember that moment in their life. Children are a little less planned – I dare to to try and pose a two year old – but as I approach the subject there is still a goal in mind. I arrive at a location knowing what types of photographs I am going to be taking.

The images that I take on my phone are the complete opposite. I am in a constant mode of observation, even when I am walking the same three blocks back to my car after work. I look to the windows of the buildings around me, I watch the cracks on the sidewalk, I make a point of noticing things. There is always something seemingly insignificant that can catch my eye. I consider these moments found images. There is no posing involved, no placing of an object to get the right perspective. I move around the subject, chose my angle, frame the image to give it my perspective.

A while back I asked myself, what am I doing with all of these pictures? Even as I sorted through them and delete the pointless or repetitive ones, there are others that I just can’t get rid of. They speak to me, they are each a moment that has been frozen in time. I realized they are another outlet for the creative nature of my imagination. Without even realizing it, I began creating my own form of visual art. And I am in love with it. I can’t wait for the next moment that will catch my eye. I can’t wait to take that image and turn it into something more.

That moment when the sun sets and road seems endless and free:

© Katie Rene Johnson 2014

The moment when the light from the window highlights peace and affection:

© Katie Rene Johnson 2014

The moment of infinity on the ocean shore:

© Katie Rene Johnson 2014

 

Beauty surrounds us, and just as the characters  in my imagination walk beside me every day, these beats of time inspire me to keep creating and living in the moment. It keeps my heart content.

 

View more images here: Moments Urban Landscapes